Cover Reveal: On Destiny + Giveaway

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On Destiny
by Aileen Erin
(Aunare Chronicles, #5)
Publication date: March 15th 2022
Genres: Dystopian, Young Adult

When Amihanna di Aetes first got to Sel’Ani, she never thought she’d have the full support of the Aunare, but she does. She never thought that she’d fall in love, get married, or become the High Queen, but she did. She never thought that she’d be planning something so stupid as her return to Earth, but that’s exactly what she’s doing.

With the Alliance broken, SpaceTech has fully retreated to their home planet, but the chaos of war will descend again. Amihanna and Lorne know they don’t have much time to plan their next move. Everything in their guts tells them to head straight to Earth, and that going into the heart of SpaceTech’s territory is stupid, reckless, and very likely deadly.

Amihanna and Lorne have one chance to end this war quickly, protect the Aunare, free the Earthers from SpaceTech’s rule, and save Declan, Ahiga, and the missing ABQ Crew members. Trying to do it all feels impossible, but Amihanna has never been one to back down from a challenge, especially when defeating SpaceTech was never just her mission. It’s her destiny.

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Author Bio:

Aileen Erin is half-Irish, half-Mexican, and 100% nerd–from Star Wars (prequels don’t count) to Star Trek (TNG FTW), she reads Quenya and some Sindarin, and has a severe fascination with the supernatural. Aileen has a BS in Radio-TV-Film from the University of Texas at Austin, and an MFA in Writing Popular Fiction from Seton Hill University. She lives with her husband in Los Angeles, and spends her days doing her favorite things: reading books, creating worlds, and kicking ass.

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Book Blitz: The Woe of Shadows, by D. Fischer


Title: The Woe of Shadows
Author: D. Fischer
Genre: YA Epic Fantasy
Publisher: Divinus Kingdom Publishing

Hosted by: Lady Amber’s PR


No shadow fears the dark. Not even their queen.

From award-winning author D. Fischer, arrives the highly anticipated Heavy Lies the Crown, a series for fans of Throne of Glass, The Red Queen, and The Cruel Prince.

On any normal night, Amala Ashcroft, Queen of the Shadow People, would feel honored by a God’s presence. But Fate, one of the four Divine Gods, does not visit for pleasantries. He visits to save his realm, his creations, and his legacy.

Amala has no choice. She can feel the darkness rising in the realm and knows her people will be the first to fall. To save her kingdom, she allows Fate to bless her unborn daughter with his unimaginable magical gifts, so that someday, she can stand against the darkness.

The Woe of Shadows is the prequel of Heavy Lies the Crown, a series based in the world of D. Fischer’s Divinus Kingdom. Divinus Kingdom is interconnecting novels that branch one series to the next.

Bestselling and award-winning author D. Fischer is a mother of two very busy boys, a wife to a wonderful husband, and an owner of two sock-loving German Shorthair Pointers. They also have a cat named Geralt, but since Geralt adopted them and not the other way around, the cat is more of a tenant who occasionally purr-purrs for his rent, if he’s not too busy murdering nerf darts.

Together, these misfits live in Orange City, Iowa.

When D. Fischer isn’t chasing after her children, she spends her time typing like a mad woman while consuming vast amounts of caffeine. Sometimes, if her husband can manage to remind her of the real world outside her office window, they hike!

Known for the darker side of imagination, she enjoys freeing her creativity through worlds that don’t exist, no matter how much we wish they did.

Author Links:

Amazon | Website | Instagram | Facebook

Facebook Group | Bookbub | Twitter



Spotlight, Excerpt, & Author Interview: Frostborn + Giveaway



by Michael Haddad
Genre: Young Adult / Fantasy

The Frostborn—the one destined to end the war, the one blessed by the magic of Aether—was supposedly nothing more than a hopeless fairytale, a myth lost to time. But as the centuries-long war between the kingdoms of Eljud and Surtrol forces Elias Jökull to evacuate his village, a run-in with the fearsome Gjallarhorn army awakens within him a dormant power long since forgotten by the people—a power signaling the existence of the Frostborn.

With such critical news, hope of victory against Surtrol becomes contagious, yet Elias’s former life of slavery leaves him apprehensive about lending a hand to his own flawed kingdom. Even still, knowing the world will soon be in search of him, the newfound Frostborn must choose his allegiances quickly. And after encountering a ranked Surt captain, he does just that.

But while acting as a double agent, feeding intel to Eljud’s southern enemy and working both sides of the same border, his conflicted self struggles to anchor his loyalty to a single kingdom as buried secrets begin to unearth.

The incessant clash between the north and south is soon coming to an end and Elias will have to find a side to stand on. The hard question is: which side? Everyone wants the Frostborn for themselves, but for how long can Elias let the world string him along?



The Gjallarhorn positions her weapon above her head.

The hand-axe plummets with a snap of her wrist.

Dalia has her arms up, but she knows they will be paper under the sharp edge of the axe. The life of a slave is not easy, yet Elias made it bearable. Seeing him with his ghostly face half in the mud, beaten down by someone who is supposed to protect the kingdom, enraged her. At this point, it is no longer a matter of survival. This is what has to be done. She needs to show the people of Brimir the corruption that spoils the ranks of the Gjallarhorn Army. Her death may inspire a movement of change. The chances are slim, but it is all she has left to give her life some droplet of meaning, of purpose.

Seconds pass and the axe has not run her through. She opens her eyes.

Elias is up on his feet, his fingers curled over the hand-axe’s blade, locking it in place. The shackles once constricting his wrists are busted and Rayna’s eyes grow wide, her jaw stuck in alarm. “How? You were as good as dead.”

“Elias?” Dalia says.

There’s no answer. His face is empty of emotion, with an expression as rigid as stone.

Rayna releases her weapon, stepping to the left then bolting forth, her fist ready to hit. Elias reacts, moving with a dexterity Dalia has never seen. He shifts his weight, using the back of his hand to guide the Gjallarhorn’s strike past his flank. He then tosses the axe away to free up his other hand and at a dizzying speed, he rams Rayna’s throat with the heel of his palm. The impact unleashes a blast of icy wind that rockets Rayna into the crowd, knocking over people nearby.

Dalia brushes her tears away and struggles to stand with her quaking knees. “Elias, what are you doing?”

The winds start to roar, loose snow picking up from the earth in a flurrying storm. The gales rotate around Elias and the very mud he once laid in has frozen over into a sheen of ice. The remaining Gjallarhorns circle him, fighting against the blustering wind as they close in.


1. What inspired you to write this book?

I’ve talked about this quite a lot recently and each time I do, I’m astonished at how I was able to complete a full novel with an inspiration that seemed aimless at the time. Most of my passion to keep going stemmed from my desire to publish. Becoming a published author is one of many items on my bucket list and I’m excited to say that I can cross it off, at such an early age no less. I thought it was this impossible task that only the best of the best can achieve. But it turns out that even someone like me can publish if they have the enthusiasm and dedication to pursue it. I think seeing my goal become more and more realistic with every word written definitely helped generate inspiration.

When it comes to obtaining inspiration for specific ideas in the book, much of that came from previous fictional works and a lot of hours spent creating character sheets or adventures in roleplay. A lot of people view roleplay as something childish and immature, but I don’t think I’d have the vernacular and skill to tell a story like Frostborn without it. Inspiration can strike from anywhere. I will also admit that reading similar novels helped hone my own style of writing, but roleplay became the factory that manufactured each incredible idea. It became a platform for me to test out concepts before applying it to my plot. There are many incredibly talented people that roleplay and I gained a great deal from those experiences. They were amusing and they were entertaining—it was like a book written by dozens of people. Until now, I never truly sat back and appreciated what roleplay did for me. They were a necessary company and a fantastic community. Without roleplay, I wouldn’t know how to translate my imagination onto paper for the world to read.

2. What, if anything, did you learn when writing the book?

I’m not the best with dialogue. Trying to find organic ways for dialogue to be carried out in a scene is honestly challenging. It’s also difficult to incorporate a unique culture from a fantasy world into that dialogue as well. For example, one general aspect of conversation that pops up a lot in most stories is cursing. In this new world, what is cursing? I had to answer all sorts of these questions and research quite a bit before establishing proper exchanges. When it comes to that department of writing, I learned a ton. And it was not solely about what characters said, but how to also format and punctuate what they’re saying. There are quite a few technicalities to adhere to when writing. I did try my best and at the end of day I think it turned out pretty well.

3. What surprised you the most in writing it?

I think most of my surprise comes after writing. When I look back to certain pages with intense and powerful quotes, it’s so shocking to see that I actually wrote those lines. I’ve read Frostborn over and over, but it has been a long while since I read it completely, cover to cover. Some parts I won’t forget because of how memorable they are, but there are certain details I’ve already lost track of if I’m going off of memory alone. I love when people remind me of those forgotten details and when they express their appreciation of the effort that went into drafting each sentence. That is a surprised feeling I wish I could experience all the time.

4. What does the title mean?

I guess I could of used a less obvious title, but it’s basically a reference to the Frostborn legend mentioned throughout the story. War between the Eljud and Surtrol Kingdoms has been ongoing for years. Legends spoke of a single person, born from the ice of the land, who could turn the tide of battle and win against the southern enemy. Parts of the prophecy were later manipulated and translated poorly in order to trick the royals of Eljud, but the tales of the Frostborn’s power remained true. Whoever it may be, it was public knowledge that the Frostborn was blessed by Aether and could use it without being Gifted. Briefly, Gifting refers to the act of anointing someone with the ability to manipulate their inner Aether through what’s called a Relic. Relics are physical objects that act as vessels for controlling energy output and weaponizing it. Since the Frostborn is overflowing with Aether, they don’t require a Gift, therefore becoming a dangerous exception. That is why Elias is so unique to the world.

Further in the plot, more truths become unearthed and (SPOILER) the world never held just one “Frostborn”. There were always more just like Elias, similar in strength and power. In the novel, they are later described as the Children of the Yggdrasil. But for some currently unknown reason, the prophecy of the Frostborn was the only one to stick. Hopefully, if a sequel is to come, more cosmology and lore surrounding those blessed by the primordial energies will be revealed.

5. Were any of the characters inspired by real people? If so, do they know?

I get this question a lot. Many people I know want to be the source of my inspiration, and maybe they are subconsciously, but I try to avoid basing a character off someone I know. At most, I’ll use their name because I like the way it fits, or I use a little personality quirk that I find entertaining. However, my characters are created for the purpose of the plot and not to mimic a real person. I’m not sure why I do this, but I guess part of the reason is to avoid unintentionally insulting someone’s character.

6. Do you consider the book to have a lesson or moral?

There are a lot of messages throughout the story if you look close enough. One of the most prominent lines, for me at least, is the one on the front cover. “The world bends to the strong” can be taken in a literal sense, but it means a little more than just physical strength or how much damage one can inflict upon those who don’t submit. Strength comes in several varying forms. The ones with the strongest will, the strongest resolve, the strongest mind, the strongest spirit—they have the capacity to bend the world to their liking. They have the tools to guide themselves to the top and unify what lies before them. They have the aptitude to fill in that leadership role. There are, of course, other less obvious messages. I encourage you to find them and let me know what you think.

7. What is your favorite part of the book?

The upcoming answer to this question is most probably a spoiler. Avert your eyes if you don’t like spoilers!

My main character Elias had his fair share of hardships in life. Circumstances put him in many compromising positions which lead to a lot of manipulation and abuse by authorities. He wasn’t born into slavery, but spending most of his teenage years imprisoned and in chains likely broke any strength he had left to think for himself. Being so malleable and gullible, he was toyed and played with by those who sought his inherent gifts. He was pumped with lies to become both the hero and victim in a war he didn’t wage. He was the scapegoat for everyone else’s problems.

At the very climax of the story, even though he already had a sickening idea of who killed his mother (resulting in his subsequent life of slavery), when his hypothetical theory was confirmed true, he snapped. All that latent anguish within him, all that physical and emotional torture, broke him in a final revelation. So he opted to show just how relentless he could be and obliterated the very pride of his homeland with every ounce of the Frostborn’s divine power—bringing down an ancient wall that stood as a symbol of defense for his capital.

I think it’s my favourite part because of the scene’s dual purpose. That moment is meant to highlight a turning point for Elias’ character and also illustrate a symbolic blow to the entire kingdom. It signaled both destruction and renewal. For the first time, it gave us an Elias that acts on his own volition, something the readers are most likely begging for by this point.
I like how it’s also a hyperbole for what can occur if corrupted authorities continue to reign unchecked. I even find it highly topical considering modern day issues.

…but most importantly, I find that scene super cool to read.

8. Which character was most challenging to create? Why?

Elias was a challenge to write and to keep consistent because he was such a multi-faceted character. Someone acting as a savior while posing as a double-agent, but then doubting his own loyalty at the same time is not an easy character to write about. He took on a handful of roles and my biggest struggle was trying to show who he really was underneath all the intentional deceit. He had to be brave, he had to submit, he had to play the slave, he had to hide his power, he had to be a spy, he had to be a monster, and, most importantly, he had to know the truth. Trying to fit it all into one young adult while maintaining logic and reason was indeed difficult. There were moments where his actions felt uncharacteristic, but I wrote it that way for a reason. I think it takes some time to properly understand Elias, but once you do, the pieces fit together nicely.

9. What are your immediate future plans?

I think I want a sequel to Frostborn, but I’m not sure whether I should write a new book altogether or continue with what I have. Personally, I’m at a crossroads. One thing is for sure, I’m going to attempt to create a manuscript for book 2, but whether it gets published is still in the air. However, Frostborn ended with the potential to keep going and also stop right there. It could go either way. I’m leaning towards the sequel because I hate seeing such potential for more lore to be wasted. What do you think I should do? Catch me on my social media platforms if end up reading it and come to an answer to this question on your own. I’d like to hear what my readers have to say!

AUTHOR Bio and Links:

Hardworking university student and recent John Abbott College graduate, Michael Haddad doubles as a fiction author of the fantastic who throws himself into his own writing—who can’t stop imagining new worlds, new ideas, new characters. His passion for roleplaying games has earned him his fair share of teasing, but he’d be lying if he said it didn’t open his imagination. When not at his computer, typing away, Michael is often with his friends and family, losing terribly at tennis, hunkering down for movie marathons, and trying to get a good night’s sleep. As someone born and raised in Montreal, he is no stranger to having ice rinks for streets and snow up to the knee—but that’s nothing a warm cup of coffee can’t beat.

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Michael Haddad will be awarding a $15 Amazon or Barnes and Noble GC to a randomly drawn winner via rafflecopter during the tour. Plus, he is giving away 100 ecopies through Goodreads.

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        Frostborn by Michael  Haddad


          by Michael  Haddad

            Giveaway ends June 27, 2021.

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